{"title":"BEST OF 2025","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLike it or not, these are the records that the last survivors of the music press apocalypse have deemed THE BEST ALBUMS OF 2025...or, at least, these are most of the albums that are or will be on the end-of-year lists at Pitchfork, Rolling Stone, Stereogum, Complex, Decibel, NPR and the like that have been released on vinyl at this point, or that we can get on vinyl...well, most of'em. And some we think should be on those lists. You get the picture - it's a bunch of records someone somewhere thinks are pretty good. Will add stuff to this throughout December, ok?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"fka-twigs-eusexua-lp","title":"FKA TWIGS - EUSEXUA (LP)","description":"\u003cp\u003e\u003cem\u003eINDIE EXCLUSIVE CLEAR VINYL LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDELUXE EDITION CLEAR VINYL LP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ONE-STOPS","offers":[{"title":"STANDARD CLEAR VINYL LP","offer_id":47568611901657,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true},{"title":"DLX CLEAR VINYL LP","offer_id":47568611934425,"sku":null,"price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/ScreenShot2024-10-01at12.46.51PM.png?v=1727804817"},{"product_id":"panda-bear-sinister-grift-lp","title":"PANDA BEAR - SINISTER GRIFT (LP\/CD)","description":"\u003cp\u003e\u003cem\u003eBLACK VINYL LP.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCD.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"On Sinister Grift, Panda Bear’s first solo album in five years, he has returned with another statement that feels equally cumulative and unprecedented in his catalog. While his solo records have ranged from starkly intimate expressions of grief to colorful, electronic opuses, his music has never before sounded so warm and immediate. Working in his Lisbon, Portugal home studio with Animal Collective bandmate Josh “Deakin” Dibb, Lennox transforms Panda Bear into something resembling an old-school rock ensemble, playing nearly all the instruments himself and inviting kindred spirits into the process such as Cindy Lee, Spirit of the Beehive’s Rivka Ravede, and—for the first time on a Panda Bear solo album—each of his Animal Collective bandmates.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"REDEYE","offers":[{"title":"BLACK VINYL LP","offer_id":47102850859225,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":47102850891993,"sku":null,"price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/ScreenShot2024-12-17at12.43.32PM.png?v=1734461019"},{"product_id":"weeknd-hurry-up-tomorrow-lp","title":"WEEKND - HURRY UP TOMORROW (LP\/2xLP\/CD)","description":"\u003cp\u003e\u003cem\u003eBLACK VINYL LP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCOMPLETE EDITION. BLACK VINYL 2xLP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eALTERNATE COVER ART CD. COMES w\/ SIGNED INSERT. [RED w\/ GUY]\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eALTERNATE COVER ART CD. COMES w\/ SIGNED INSERT. [BLACK w\/ WHITE DRAWING]\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHurry Up Tomorrow is the upcoming sixth studio album by the Canadian singer-songwriter The Weeknd, scheduled to be released through XO and Republic Records. 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Ignorance was #1 AOTY at The New Yorker, UNCUT, The Globe and Mail, The Observer, and top 10 at New York Times, The Guardian, PItchfork, PASTE, Exclaim, Rolling Stone Germany, Magnet, The Quietus, Sunday Times, Stereogum, and many more\"\u003c\/em\u003e\u003c\/p\u003e","brand":"ONE-STOPS","offers":[{"title":"LTD RED VINYL LP","offer_id":46246423593177,"sku":"","price":26.99,"currency_code":"USD","in_stock":true},{"title":"BLACK VINYL LP","offer_id":46246423625945,"sku":"","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/Screenshot2024-12-21at4.53.08PM.png?v=1734821595"},{"product_id":"destroyer-dans-boogie-lp","title":"DESTROYER - DAN'S BOOGIE (LP)","description":"\u003cp\u003e\u003cem\u003ePEAK VINYL EDITION, LTD COKE BOTTLE CLEAR w\/ BLACK SWIRL VINYL LP.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"What is a “boogie”? In the common tongue, it’s a dance or an occasion to dance. This being a Destroyer album and not the common tongue, the implications of a title like Dan’s Boogie are at once more alluring and dangerous. “A boogie is a hustle, a scam that doesn’t quite work, the moves we make when we’re up against it,” explains Dan Bejar. “I think of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003espy work, double agents, sleeping with one eye open, an eye on the exits. But I also think of petty street-level victories and losses and improv.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo record Dan’s Boogie, Bejar had to burst through a series of intentional and unintentional barriers to write the songs. Initially challenging himself to not write songs so the ideas would well up inside of him until they breached containment, the months following the completion of LABYRINTHITIS turned into one year then two, at which point Bejar gave himself a New Year’s resolution to play the piano every day for an hour. That lasted about four days, but the songs Bejar credits as coming from that resolution—“Cataract\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime,” “Hydroplaning Off the Edge of the World,” “Bologna,” and “Dan’s Boogie” among them—are all-timer Destroyer songs across the vast spectrum Bejar and his collaborators have established for themselves: spectacle-laden pop epics, personal piano ballads, and smouldering works of mood that blur the lines between song and novel and cinema, each brimming with the urgency of a state secret in the mind of a tortured spy.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLead single “Bologna” is the most radical frame for this energy, as it’s the first time Bejar wrote a song where he imagined himself as a supporting character. Taking lead is Fiver’s Simone Schmidt, whose voice—tough and expressive, piercing through the murk of the scene—is a siren’s call that haunts the album. The gravity of their voice pulls Dan’s Boogie into order around a sense of impending doom, the way a fatale’s promise of the unusual and the ecstatic dooms the principal character of an erotic thriller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Hydroplaning Off the Edge of the World” is a delicious bit of contradiction, a peppy song that came out of the havoc Bejar was intentionally wreaking on himself—its holiday cheeriness making the angst of its lyrics go down smoothly until the song veers off the road. “We are now entering a new phase,” Bejar intones, introducing layers of guitar and synthesizer that considerably darken the palette as he alternates between singing and speaking.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContradiction informs much of Dan’s Boogie, the fog swirling around Bejar illuminated by the friction between competing truths and tastes, as when his interest in jazzy ballads runs aground on producer and bassist John Collins’ interest in bands like Led Zeppelin and Scritti Politti. When Bejar told Collins that he was thinking of Sammy Davis Jr., the title track bloomed into being, Bejar adopting a Rat Pack swagger with almost delusional glee against a dreamy soundscape of soaring guitars, lush horns, jazz drumming spaced-out\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esynths, and, perhaps truest to how Bejar sees himself, plinking lounge piano. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn terms of shaping sound, the centerpiece of Dan’s Boogie may be “Cataract Time,” an eight-minute epic that ranks as some of the heaviest lyrics Bejar has ever written, and one of Destroyer’s most musically intricate compositions. Borne aloft on an easygoing groove, Bejar’s lyrics are transfigured, their melancholy tasting almost counterintuitively like hope. 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Here lyrical explorations of healing, dignity, and struggle set the tone of the music itself—the mysterious and tense sensuality of the Melody Nelson-like strings on “Form a V”; the playful and idiosyncratic echoes of the 1960s British Folk scene on “Invincibility”; the golden-era Elvrum level of vocal intimacy on “Too True”—it’s all handed over with such familiarity and intention that the album’s full sonic grandness reveals itself at an IV-drip-pace. A blade, because a blade is whole, it has forgiven itself, and because it will take a small piece of our opposite, for us to be complete. A blade has marked out these former selves on my hand, a blade made the lines that divine us and the blade is whole. A blade. While I forgive myself, and heal, and lead us in healing. We can only forgive each other once we forgive ourselves. 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The members - Aaron Dowdy, Avery Sullivan, Frank Meadows, John Wallace, Justin Morris, Libby Rodenbough, Oliver Child-Lanning-weave their voices alongside guests like Merce Lemon, Dave Hartley (The War on Drugs), and John James Tourville (The Deslondes) to form a music that sounds like a conversation between old friends. And that's exactly what it is. At it's heart, Big Ugly is a story cycle, following tough-skinned characters who seem to inhabit a shared and fictional small town-Big Ugly-that in reality gets it's name from a lowly populated and unincorporated area in southern West Virginia around where Dowdy's family has deep roots. The album cover-a mural from the Big Ugly Community Center just off the Big Ugly Creek-was painted by locals for a 2004 play performed by the children that interpreted their elders' stories. 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Yes: the first Pulp album for 24 years.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHow did that happen?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWell: when we started touring again in 2023, we practiced a new song called “Hymn of the North” during soundchecks \u0026amp; eventually played it at the end of our second night at Hammersmith Odeon. This seemed to open the floodgates: we came up with the rest of the songs on this album during the first half of 2024. A couple are revivals of ideas from last century. The music for one song was written by Richard Hawley. The music for another was written by Jason Buckle. The Eno family sing backing vocals on a song. There are string arrangements written by Richard Jones \u0026amp; played by the Elysian Collective.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album was recorded over 3 weeks by James Ford in Walthamstow, London, starting on November 18th, 2024. 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So as Tyler dealt with the depression, nerves, and questions of those endlessly tense times, he began recording ideas with his phone and a cassette deck, resigning himself to the distortion inherent in those devices. Tyler was talking with Kieran Hebden about making a record together, and some of these bits felt like test cases. As that collaboration crept in other directions Tyler magpied other sounds. He asked longtime friend, producer Jake Davis, to help stitch them together, opting to embrace the hiss and wobble and to unintentionally make a record that reflected those times and these—uneasy, damaged, honest. 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Shambolic guitars are offset by flute pads, bleary poetry is set against a Motown rhythm section, a song about Jerry Garcia and First Lady Betty Ford fades out with a drum solo, like if Talk Talk came from a dingy Philadelphia basement and was fronted by James Tate. Songwriter Dan Wriggins' ragged baritone cuts through eleven murky, swirling country-rock songs with profound lyrical substance and sincerity. Like an alarm clock incorporated into the edge of a dream, Caveman Wakes Up belongs equally to the conscious and subconscious mind, fraught with background, steeped in reference and experimentation, delivered casually and as a dire warning, dedicated, above all, to music's creative soul.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOver the years, dedication has paid off. Friendship has become a kind of reverse supergroup, wherein the band itself and each individual member are located centrally in an increasingly prominent scene of young folk and country musicians and songwriters. Drummer Michael Cormier O'Leary leads the instrumental collective Hour and, along with bassist Jon Samuels, runs Dear Life Records, home to friends and peers who count Friendship as a major influence including MJ Lenderman, Florry, and Fust. (Samuels also plays lead guitar in MJ Lenderman and the Wind). Guitarist Peter Gill's band 2nd Grade records prolifically. Wriggins began writing the songs of Caveman Wakes Up on a downtuned classical guitar of Lenderman's and finished on a barely tuned piano in an apartment he shared with Sadurn's G DeGroot. \u003c\/span\u003e\u003cspan\u003eIn the summer of 2023, Wriggins had just left the Iowa Writers' Workshop, where his love for poetry and mistrust for the academic poetry world grew in tandem. A relationship fell apart, and Wriggins crashed for several weeks at Lenderman and Wednesday's Karly Hartzman's home in North Carolina, where he recorded the first demos of \"Resident Evil,\" \"All Over the World,\" and \"Love Vape.\" Wriggins returned to Philadelphia, and the band got to work on new ideas, finally tracking the album in five days with engineer Jeff Ziegler (Mary Lattimore, War on Drugs). Wriggins recorded vocals with Love the Stranger engineer Bradford Kreiger, and organ, violin (Jason Calhoun), and flute (Adelyn Strei) were recorded by Lucas Knapp in a West Philadelphia church. \u003c\/span\u003e\u003cspan\u003eCaveman Wakes Up showcases Friendship's particular genius for visionary arrangement, indebted equally across generations to the folk-rock canon of Neil Young, Joni Mitchell, and Emmylou Harris, to indie stalwarts like Yo La Tengo and Merge labelmates Lambchop, to contemporaries like Lomelda and ML Buch. Several of the songs employ fade-outs, jokingly referred to in the lyrics of \"Love Vape,\" and there are other elements lifted from Motown and '70s ballads: locked-in drum patterns, bass intervals, sentimental string arrangements. Each reference is pushed past genre, swirling and repeating, into something new and squarely belonging to the Friendship sound. On \"Free Association,\" \"Artex,\" and \"Wildwood in January,\" the groove is established so that other sounds can come and go seamlessly; Mellotron patches, piano flurries and stabs, and clean guitar melodies, teeming textures disguised in unity. As a work of music production, Caveman Wakes Up is Friendship's most advanced yet, another testament to the band's devotion and care. \u003c\/span\u003e\u003cspan\u003eCaveman Wakes Up is dreamy, luscious new growth for a band that has become an increasingly verdant oasis in the crescent of indie country civilization. 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The Japanese artist has taken a dedicated online fanbase built from viral TikTok sound clips and critically acclaimed albums and translated it into international tours spanning more than 20 countries. Aoba's latest album, Luminescent Creatures is the culmination of her 15-year long career - during which she's collaborated with Japanese luminaries such as Ryuichi Sakamoto, Haruomi Hosono, Cornelius, and more - and finds her deftly melding the jazz-infused folk of her early albums with the orchestral world building of her 2020 opus Windswept Adan. While conducting field research on Ryukyu Archipelago, Ichiko was enamored by the boundless beauty, and occasional terror of the ocean. She'd go freediving, submitting herself to the whims of the tides. \"I feel unable to resist the pull of the ocean,\" Ichiko says, \"and know how easy it would be for my small body to be swallowed by the sea.\" That contradiction, gentleness and power, instilled a sense of awe that is expressed in the soundscapes of Luminescent Creatures. \"Luciférine\" introduces her central theory: bioluminescence. Lush strings and twinkling piano ripple like sunbeams on lapping waves, cutting through the dark expanse of the briny deep. \"Inside each of us,\" she sings, \"there is a place for our stars to sleep.\" It conjures an image of creatures pouring off light like celestial bodies, lighting a path to close the distance between galaxies. On \"SONAR,\" she ruminates on other ways to bridge the divide. \"Beyond the darkness, a glimmer of somebody's voice\"-her own voice low in the mix as if suppressed by insurmountable depths. An echo of her voice creeps in, reverberating like a whale song. Even with the most rudimentary senses, we find ways to one another. Luminescent Creatures is about making meaningful connections against impossible odds. The sea is immense and ancient, but it is also reminiscent, housing a deep record of fossils and recollections of how we've treated our planet. \"When I stare into the seemingly bottomless black depths of a trench,\" Ichiko reflects. \"I occasionally see the blinking light of some rainbow-colored lifeform.\" That organism may not speak any known language, but in that moment it managed to communicate in a universal way. \"My beloved Luminescent Creatures\"\u003c\/em\u003e\u003c\/p\u003e","brand":"SECRETLY","offers":[{"title":"BLACK VINYL LP","offer_id":48482910601433,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":48482910634201,"sku":null,"price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/Screenshot2025-05-15at2.31.29PM.png?v=1747337496"},{"product_id":"florry-sounds-like-lp","title":"FLORRY - SOUNDS LIKE... (LP\/CASSETTE)","description":"\u003cp\u003e\u003cem\u003eAPPLE RED VINYL LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCASSETTE.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe promise of a Florry show, a now familiar caravan that has been honed over ambitiously trekked zig zags across America and Europe since the release of Dear Life Records debut The Holey Bible, is the redemptive promise and prodigal joy of rock and roll guitar music.Bred in the crackling warmth of the Philadelphia DIY scene, and forged with the alloys of community action, queer liberation and bedroom poetry, bandleader Francie Medosch and her absolute unit of collaborators have put in the work of sharpening their homespun tools to take up the mantle of the great lip-puckering rock and roll tradition pioneered by the likes of The Band and the Rolling Stones, but with proudly displayed Aimee Mann and Yo La Tengo bumper stickers on the rusty frame of the truck. At any second, the wheels could come off but they are steering just fine.For 'Sounds Like...' Florrys sophomore effort as a fully realized band, Medosch and co. decamped to Drop of Sun studios in the nest of the Blue Ridge Mountains to record with Asheville wunderkind Colin Miller, a critical voice behind the records of MJ Lenderman, Wednesday and Merce Lemon and a powerful songwriter in his own right. Three powerhouse days in late 2023 solidified writing work done by the band earlier that summer in the now defunct Haw Creek compound under Miller's guiding suggestion.The result is a portrait of a ripping band cresting towards the height of their powers, uniquely equipped to capture a wildly loving, barn-burning camcorder clip of a turbulent trip with your best friends, without dipping into nostalgia bait. Lyrically, Medosch's utterances are both careful and excessive, the product of sifting through the rubble of classic good-time media, and finding what works for both her and her community to reach the heights of abandon.\"The Jackass theme song was actually a really big influence on the new album.\" Theexpansive personnel and continent spanning footprint of Florry casts a wide net for this community. Florry the band rolls deep in the heard of North American DIY, featuring Jon Cox (Sadurn, Son of Barb) on pedal steel, John Murray on electric guitar, Collin Dennen on bass, Will Henrikson on fiddle, Katya Malison (Doll Spirit Vessel) on Vox, and Joey Sullivan (Bark Culture) on drums. Medosch's recent move to Burlington Vermont entrenches the Philly born project firmly within the ranks of fellow alt-country upstarts Lily Seabird, Greg Freeman and Merce Lemon, and gives them a vantage just outside of Pennsylvania at the thresholds of New England and the Midwest. There is a new life breathed into this music that confirms Florry as equally rooted in place work, and at home on the vast roads of America.For listeners who fell in love with Florrys infectious charm on sweeping tours with the likes of Kurt Vile, Real Estate, MJ Lenderman, Greg Freeman and Fust, 'Sounds Like...', provides a refreshing memento of the band that surely left them smiling. If the support behind 'The Holey Bible' provided validation for the insistent vision of these young artists, 'Sounds Like' finds them reveling in and honing their vocabulary. Praise from outlets like Pitchfork, Stereogum, Paste, and Brooklyn Vegan touched on the potential of their wild idiosyncrasies, and accurately predicted that their next steps would see them continuing to write their own story, like a 10 car pileup that you can't take your eyes off if you tried. Florry proves that they can let the car spin just out of control whenever they want, and you are welcome to ride shotgun while Medosch does donuts in the WaWa parking lot. 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Across 10 lush and exploratory tracks, it’s the product of two Chicago-based musicians—Will Miller, the acclaimed trumpeter, composer, and producer who’s worked with SZA, Whitney, and more, and Gold, a seasoned multi-instrumentalist and accomplished guitarist—effortlessly combining their distinct sensibilities for something hypnotic and tangibly inviting. What started as a love letter to their shared admiration for ‘60s and ‘70s Brazilian music evolved into a dynamic and sprawling body of work. These sunny and expansive tunes are as immersive as they are endlessly replayable.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"REDEYE","offers":[{"title":"Default Title","offer_id":46641145151705,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/HORIZON.jpg?v=1747938268"},{"product_id":"mike-showbiz-lp","title":"MIKE - SHOWBIZ! 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The record features 454 and duendita, alongside guest production from Thelonious Martin, Salami Rose Joe Louis, Jacob Rochester, Anysia Kym, Harrison (SURF GANG), ShunGu, Laron and redLee.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"REDEYE","offers":[{"title":"Default Title","offer_id":46649576521945,"sku":null,"price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/Screenshot2025-05-27at4.53.42PM.png?v=1748382827"},{"product_id":"aesop-rock-black-hole-superette-2xlp","title":"AESOP ROCK - BLACK HOLE SUPERETTE (2xLP)","description":"\u003cp\u003e\u003cem\u003eBLACK ICE VINYL 2xLP. RAINBOW FOIL JACKET.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBlack Hole Superette, the latest album from Aesop Rock, delves into the invisible forces that shape our lives and psyches. It's about the small, often overlooked moments-the everyday experiences that blur the lines between the real and the unreal, waking and sleeping. Aesop Rock's signature gift for transforming the mundane into something dreamlike gives the album a surreal quality, leaving listeners questioning what's truly real as they navigate it's vivid, half-remembered imagery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEntirely self-produced, Black Hole Superette is one of Aesop Rock's most technically accomplished works to date. The album's intricate beats and complex structures provide the perfect backdrop for his expansive lyricism, balancing cerebral exploration with emotional depth. From the reflective 'Movie Night' and the eccentric 'Send Help' to the wistful 'Black Plums,' Aes channels the spirit of a mad scientist, experimenting with sound and concept in ways that defy the ordinary. With a stellar lineup of collaborators that includes Lupe Fiasco, Armand Hammer, Hanni El Khatib, Open Mike Eagle and Homeboy Sandman, Black Hole Superette is dense and kinetic, an album that deftly navigates between complexity and instinct. It's clear this project stands as one of Aesop Rock's most multifaceted and ambitious works yet.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"SECRETLY","offers":[{"title":"Default Title","offer_id":46657331790041,"sku":"","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/RSE411.jpg?v=1748382176"},{"product_id":"alex-g-headlights-lp","title":"ALEX G - HEADLIGHTS (LP\/CD)","description":"\u003cp\u003e\u003cem\u003eINDIE EXCLUSIVE BLUE VINYL LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBLACK VINYL LP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCD.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"His major label debut via RCA Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-mgmt\u003c\/em\u003e\u003c\/p\u003e","brand":"ONE-STOPS","offers":[{"title":"LTD BLUE VINYL LP","offer_id":46667155669209,"sku":"","price":29.99,"currency_code":"USD","in_stock":true},{"title":"BLACK VINYL LP","offer_id":46667155701977,"sku":"","price":25.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":46813237805273,"sku":null,"price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/Screenshot2025-05-29at4.03.17PM.png?v=1748552604"},{"product_id":"ryan-davis-the-roadhouse-band-new-threats-from-the-soul-lp","title":"RYAN DAVIS \u0026 THE ROADHOUSE BAND - NEW THREATS FROM THE SOUL (2xLP)","description":"\u003cp\u003e\u003cem\u003eCLEAR WITH BLUE AND WHITE SWIRL VINYL 2xLP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003eTRANSPARENT LIGHT BLUE VINYL 2xLP\u003cbr\u003e\u003cstrong\u003e*ONE COPY PER PERSON\/HOUSEHOLD ON THESE.\u003c\/strong\u003e\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBLACK VINYL 2xLP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan\u003eFresh off touring and collaborating on stage with MJ Lenderman, Louisville slacker alt-country artist Ryan Davis and his Roadhouse Band are releasing their sophomore album, featuring Catherine Irwin (of Freakwater), Will Oldham (aka Bonnie ‘Prince’ Billy), Lou Turner, and Myriam Gendron.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"THINKINDIE","offers":[{"title":"CLEAR BLUE WHITE SWIRL VINYL 2xLP","offer_id":48654399570137,"sku":null,"price":36.99,"currency_code":"USD","in_stock":true},{"title":"TRANSPARENT LIGHT BLUE VINYL 2xLP","offer_id":46873311346905,"sku":null,"price":36.99,"currency_code":"USD","in_stock":false},{"title":"BLACK VINYL 2xLP","offer_id":46873311379673,"sku":null,"price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/unnamed_6.jpg?v=1755106545"},{"product_id":"hayden-pedigo-ill-be-waving-as-you-drive-away-lp","title":"HAYDEN PEDIGO - I'LL BE WAVING AS YOU DRIVE AWAY (LP)","description":"\u003cp\u003e\u003cem\u003eBLUE VINYL LP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eI'll Be Waving As You Drive Away is the new album from Hayden Pedigo; a psychedelic, show stopping finale to Texas born and bred artist's fabled Motor Trilogy. Fusing intricate American primitive guitar play with elegant ensemble accompaniments, lush mellotron choirs, and wordless, cinematic storytelling, I'll Be Waving is a dazzling, emotionally vibrant portrait of a restless artist revealing his truest self. Objects in the rear view mirror may appear closer than they are.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"ALLIANCE","offers":[{"title":"Default Title","offer_id":46672406610137,"sku":"","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/0858\/4864\/files\/Screenshot2025-05-31at11.28.55AM.png?v=1748708941"},{"product_id":"big-thief-double-infinity-lp","title":"BIG THIEF - DOUBLE INFINITY (LP\/CD)","description":"\u003cp\u003e\u003cem\u003eINDIE EXCLUSIVE GREEN VINYL LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBLACK VINYL LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCD.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt was winter in Manhattan. The streets were frozen and still the band rode bicycles to the Power Station on 53rd and back to Brooklyn for three weeks. Three weeks that would mark the birth of Double Infinity - the album that constitutes a grand departure for Big Thief. An ultramodern community of musicians gathered in the warm wooden room where Bruce once stood. They all tracked together – simultaneously – improvising arrangements and making collective discoveries.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLaraaji created drones with zither and an iPad and sang intuitive vocal melodies. Joshua Crumbly played bass; Mikey Buishas made live tape loops and played keys; Mikel Patrick Avery, Jon Nellen, and Caleb Michel played percussion; Adam Brisbin played guitar; and Hannah Cohen, Alena Spanger and June McDoom sang background vocals. Along with core members Adrianne, Buck, and James, the group played for nine hours a day. Double Infinity is the archive of this play. It could only have been produced, engineered, and mixed by longtime Big Thief collaborator Dom Monks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Double Infinity,” reaches into the idea of inner and outer worlds, and the body as the bridge. It speaks to the purgatory created by the human brain, always looking to the past or future, between the things we’ve lost and the things we want, between desire and regret. “Beauty speak to me, let me know you, let me see myself inside your mystery, through the crystal cage of aging.” It calls for true beauty to speak, not fabricated, conditioned ideas of beauty. At the bridge between “what is forming” and “what is fading”, between “losing and of gaining”, “mourning and celebrating”, perhaps there is solace in “the eye behind the essence, still, unmovable”, that which is unchanging”, outside of time. 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His signature sound has caught the attention of the mainstream while continuing to inspire the underground. Since 2023’s El Michels Affair \u0026amp; Black Thought album Glorious Game, Michels has been busy producing records for other artists; Norah Jones’ Grammy winning Visions, Clairo’s Grammy nominated Charm, Kali Uchis’ “Moonlight”, as well as albums for labelmates Brainstory, Derya Yıldırım \u0026amp; Grup Şimşek, Thee Heart Tones, and Liam Bailey. His new album 24 Hr Sports marks the highly anticipated return to recording under his own moniker, El Michels Affair 24 Hr Sports was inspired by the fashion and graphic design of ‘80s \u0026amp; ‘90s Sports Illustrated magazines, MF DOOM’s Special Herbs albums, the sample sources used on them, and gospel music a la Pastor T.L. Barrett. The sum of those influences with Michels’ impeccable creative touch prove to be the recipe for an instant classic that will surely be one of the most heralded releases of 2025. The album opener “Drum Line” is an anthemic, uplifting tune with marching band drumming and thundering brass arrangements that command undivided attention and set the tone for what’s to come. 24 Hr Sports sees a significant departure from the largely instrumental music of the El Michels Affair catalog with a roster of vocal features that manages to mirror the undefinable genre of his music. The first one on the album is “Mágica” which features Brazil’s Rogê. He takes the already pumping energy of the track over the top with his fútbol inspired lyrics. Moving from Brazil to Ghana, “Say Goodbye” features Florence Adooni who touts her individuality with an effortless swag jumping between Frafra and English, telling it like it is in the earworm chorus, “never gonna find a girl like me…”. Labelmate and world renowned trumpeter from The Roots, Dave Guy joins the ‘70s groove of “Oakley’s Car Wash” with his distinct horn lines before the track switches lanes, closing with a dubby outro. From raucous to serene, “Anticipate” featuring Clairo picks up on the musical synergy between her and Leon that created 2024’s Charm album. Clairo rides signature EMA arrangements perfectly as she pines for an unattainable love over the band’s airtight instrumentation. “Eastside” is a song that could soundtrack a sunrise over the ocean, putting Leon’s tasteful use of space and arrangement on a pedestal. By way of Japan, The Suginami Children’s Choir join in on the lush “Clean The Line” singing a song about the moon, the sun, and birds. Next, “Cortex” kicks in the door with gritty distorted guitars and thundering drums that puts a moment of pure cinematic intensity in the middle of the album. Leon himself handles lead vocals on “Shining,” a song about looking for a friend to share the joys of a sunny day with. The universally adored Shintaro Sakamoto is featured on “Indifference”, a swanky tune built on bouncing basslines and flute chops. Shintaro uses the arrangements to go from singing to speaking, musing over a fleeting love. The Grammy winning duo of Norah Jones and Michels reunite on “Carry Me Away” with Jones' honeyed vocals soaring over a track that is hard to place but easy to love. Leon leans into El Michels Affair territory on the tune that sounds decidedly different from the Norah Jones records he has produced. “Take My Hand” puts gospel influence front and center with the Fabulous Rainbow Singers choir on the chorus and a saxophone solo from the late great Rahsaan Roland Kirk. “Open Season”, a mid tempo, piano driven number with group vocals chanting “we want the gold, we want the gold…” could soundtrack a slow motion highlight reel, while the aptly titled album closer “Victory Lap” is a dreamy euphoric wind-down worthy of the record that just finished.When all is said and done, the trophy on the cover of the album speaks volumes. 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